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The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

“Yes I’m Changing” by Tame Impala uses a repetitive chord progression throughout the majority of the song, alternating primarily between the chords C, Csus2, Cadd9, Am, F, and G. This pattern is characterized by constant resolution with the tonic of the key, C Major. However, the progression occasionally diverges from the typical diatonic pattern by introducing a G Major chord, which is a V chord in the C Major scale.

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

The intro of “My Name Is Jonas” by Weezer is a simple, yet effective chord progression in the key of C major. The progression starts on the tonic, moves to a first inversion of a G6 chord, followed by an A minor chord, and finally back to the first inversion of the G6 chord. The progression has a circular nature, which adds to the song’s catchiness and memorability.

Kali Uchis – Loner – Intro

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Chord Progression

Amaj7, Caug, E, F#m

Chord Progression Analysis

– A major 7 (IVmaj7)
– C augmented (bVIaug)
– E major (I)
– F# minor (ii)

Borrowed Chord: C augmented (bVIaug)

Similar Chord Progressions

1. Amy Winehouse – “Stronger Than Me”:
– G# minor 7 (vi-7)
– E major (IV)
– F# major (V)
– B major (I)

2. Frank Ocean – “Pink Matter”:
– A minor 7 (ii-7)
– D major 7 (IVmaj7)
– G major 7 (VImaj7)
– C major (I)

In conclusion, the chord progression of “Loner” demonstrates a creative mix of diatonic and non-diatonic chords, creating a unique and captivating musical environment. This progression is not only a signature element of Kali Uchis’ style, but it can also be found in songs across various genres.

Musical Analysis

The progression begins with an A major 7 chord, which adds tension due to the major 7th interval. This is followed by a borrowed chord from the parallel minor key, C augmented, which further adds to the tension. The E major chord brings a sense of resolution, as it is the tonic in E major. Lastly, the progression resolves on an F# minor chord, which has a slightly melancholic feel, suiting Kali Uchis’ introspective lyrics.

Overall Analysis

The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

Style Analysis

The use of non-diatonic borrowed chords and the major 7 chord in this progression contribute to the jazzy, ethereal atmosphere of the piece. These types of progressions are found in soul, R&B, and pop music, as well as in some experimental genres. Kali Uchis’ vocals match the dreamy and introspective mood of the chord progression, making “Loner” an excellent example of her unique musical style.

Chords in the Intro section of Loner by Kali Uchis are:

Amaj7, Caug, E, F#m