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Related Music Theory Alchemy

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

“Yes I’m Changing” by Tame Impala uses a repetitive chord progression throughout the majority of the song, alternating primarily between the chords C, Csus2, Cadd9, Am, F, and G. This pattern is characterized by constant resolution with the tonic of the key, C Major. However, the progression occasionally diverges from the typical diatonic pattern by introducing a G Major chord, which is a V chord in the C Major scale.

Kali Uchis – After The Storm – Intro

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Chord Progression

Am7, Bm7, Eaug, Am7, Bm7, Eaug

Chord Progression Analysis

“`
Am7 (vi7)
Bm7 (vii7/ii)
Eaug (V+ of ii)
Am7 (vi7)
Bm7 (vii7/ii)
Eaug (V+ of ii)
“`

Similar Chord Progressions

1. Stevie Wonder – “Ribbon in the Sky”
Chord progression:
“`
Em7 (ii7)
F#m7 (iii7)
B7 (V7/IV)
Em7 (ii7)
F#m7 (iii7)
B7 (V7/IV)
“`

2. D’Angelo – “Untitled (How Does It Feel)”
Chord progression:
“`
Bbmaj7 (I)
Am7 (vii7)
D7 (V/ii)
Gm7 (ii7)
C7 (V7)
Fmaj7 (IV)
Fm7 (iv7)
Bb7 (V7)
“`

Musical Analysis

The intro starts with an Am7 chord, which functions as the vi7 in the key of C Major. Following that, we have a Bm7 chord, which is a borrowed chord, functioning as a secondary dominant’s (E7) subdominant chord (vii7/ii) that wants to resolve to E7, but instead we find an Eaug chord. This chord can be seen as V+ of ii, which augments the 5th of the E chord, creating tension and a sense of anticipation. The progression then repeats itself.

Am7 provides a smooth, relaxed atmosphere as it is part of the diatonic chords in C major. The Bm7 and Eaug chords introduce chromaticism and a sense of tension, which adds interest to the harmony. This tension resolves back to Am7, providing a sense of balance in the progression.

Overall Analysis

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

Style Analysis

This progression showcases elements of jazz and R&B, as mentioned earlier. The use of 7th chords is common in both styles, with jazz being known for complex harmonies and extended chords, and R&B sometimes borrowing from jazz to spice up its harmony. The chromatic movement and the borrowed chords enhance the overall richness of the harmony, which is characteristic of these two styles.

Chords in the Intro section of After The Storm by Kali Uchis are:

Am7, Bm7, Eaug, Am7, Bm7, Eaug