Search

Related Music Theory Alchemy

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

The intro of “My Name Is Jonas” by Weezer is a simple, yet effective chord progression in the key of C major. The progression starts on the tonic, moves to a first inversion of a G6 chord, followed by an A minor chord, and finally back to the first inversion of the G6 chord. The progression has a circular nature, which adds to the song’s catchiness and memorability.

The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

Kali Uchis – After The Storm – Intro

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Am7, Bm7, Eaug, Am7, Bm7, Eaug

Chord Progression Analysis

“`
Am7 (vi7)
Bm7 (vii7/ii)
Eaug (V+ of ii)
Am7 (vi7)
Bm7 (vii7/ii)
Eaug (V+ of ii)
“`

Similar Chord Progressions

1. Stevie Wonder – “Ribbon in the Sky”
Chord progression:
“`
Em7 (ii7)
F#m7 (iii7)
B7 (V7/IV)
Em7 (ii7)
F#m7 (iii7)
B7 (V7/IV)
“`

2. D’Angelo – “Untitled (How Does It Feel)”
Chord progression:
“`
Bbmaj7 (I)
Am7 (vii7)
D7 (V/ii)
Gm7 (ii7)
C7 (V7)
Fmaj7 (IV)
Fm7 (iv7)
Bb7 (V7)
“`

Musical Analysis

The intro starts with an Am7 chord, which functions as the vi7 in the key of C Major. Following that, we have a Bm7 chord, which is a borrowed chord, functioning as a secondary dominant’s (E7) subdominant chord (vii7/ii) that wants to resolve to E7, but instead we find an Eaug chord. This chord can be seen as V+ of ii, which augments the 5th of the E chord, creating tension and a sense of anticipation. The progression then repeats itself.

Am7 provides a smooth, relaxed atmosphere as it is part of the diatonic chords in C major. The Bm7 and Eaug chords introduce chromaticism and a sense of tension, which adds interest to the harmony. This tension resolves back to Am7, providing a sense of balance in the progression.

Overall Analysis

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

Style Analysis

This progression showcases elements of jazz and R&B, as mentioned earlier. The use of 7th chords is common in both styles, with jazz being known for complex harmonies and extended chords, and R&B sometimes borrowing from jazz to spice up its harmony. The chromatic movement and the borrowed chords enhance the overall richness of the harmony, which is characteristic of these two styles.

Chords in the Intro section of After The Storm by Kali Uchis are:

Am7, Bm7, Eaug, Am7, Bm7, Eaug