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Related Music Theory Alchemy

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“Give Me The Night” by George Benson features a smooth jazz and funk-influenced style. The chord progression in Verse 3 demonstrates a strong use of extended and altered chords, which create a richer texture and interesting harmonic movement. This particular chord progression is reminiscent of other popular songs from the same period and genre, displaying the influence of jazz harmony on contemporary R&B and pop music.

Jimi Hendrix – Castles Made Of Sand – Verse 3

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Chord Progression

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G

Chord Progression Analysis

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F Major (‘I’), A minor (‘iii’), E minor 7 (‘vi7’), F Major (‘I’), C Major (‘V’), G Major (‘♭III’),
F Major (‘I’), A minor (‘iii’), E minor 7 (‘vi7’), F Major (‘I’), C Major (‘V’), G Major (‘♭III’)

`Borrowed chord: G Major (‘♭III’) from the parallel minor (F minor)`

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Similar Chord Progressions

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1. The Beatles – “While My Guitar Gently Weeps”:

Am (‘i’), Am/G (‘i/♭VII’), Am/F# (‘i/VII’), Am/F (‘i/VI’), Am/E (‘i/V’), Dm (‘iv’), E (‘V’)

2. Radiohead – “Paranoid Android”:

Gm (‘i’), Gm/F (‘i/VI’), Eb (‘♭VI’), Cm/Eb (‘iv6’), D (‘V’), Gm (‘i’), A ((‘♭III’)), Dm (‘iv’), A7/C# (‘V7/V’), D7 (‘V’), Gm (‘i’)

Musical Analysis

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The chord progression in Verse 3 of “Castles Made of Sand” establishes F Major as the tonal center, starting and ending on the F Major chord. The A minor and E minor 7 chords contribute to the smooth movement between chords and follow a diatonic progression.

However, the G Major chord (‘♭III’) is a borrowed chord from the parallel minor key, F minor. This chord creates a surprising shift in the harmonic landscape, momentarily stepping away from the diatonic flow. The constant inclusion of F Major in between the other chords gives the progression a sense of unity and cohesion, allowing for greater musical exploration while keeping the tonal center grounded.

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Overall Analysis

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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Style Analysis

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The chord progression in “Castles Made of Sand” exemplifies Hendrix’s style and influence from blues, rock, and jazz. The use of borrowed chords and chromaticism creates a unique and rich harmonic language. Hendrix’s guitar playing adds syncopation and expressive bends to the chords, which further contributes to the song’s psychedelic and emotional nature.

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Chords in the Verse 3 section of Castles Made Of Sand by Jimi Hendrix are:

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G