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Related Music Theory Alchemy

The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

“Sometimes It Snows In April” is a song by Prince in the pop style. It’s characterized by its use of extended and added note chords, as seen in the chord progression for Verse 3. This advanced harmonic content gives the song a distinct, rich, and complex musical texture, typical of Prince’s style.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

Jeff Buckley – Hallelujah – Verse 3

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Chord Progression

C, Am, C, Am, F, G, C, G, C, F, G, Am, F, G, E7, Am

Chord Progression Analysis

C (I) – Am (vi) – C (I) – Am (vi) – F (IV) – G (V) – C (I) – G (V) – C (I) – F (IV) – G (V) – Am (vi) – F (IV) – G (V) – E7 (III7) – Am (vi)

Borrowed Chord:
“`
E7 (III7)
“`

Similar Chord Progressions

1. Leonard Cohen – “Suzanne”
Chord progression: G (I) – Bm (iii) – G (I) – Bm (iii) – A (IV) – D (V) – G (I) – D (V) – G (I)

2. Sam Smith – “Stay with Me”
Chord progression: Am7 (vi7) – F (IV) – C (I) – Gsus4 (V) – G (V)

3. Oasis – “Wonderwall”
Chord progression: Em7 (iii7) – G (V) – Dsus4 (IV) – A7sus4 (II7)

Musical Analysis

The chord progression in the third verse of “Hallelujah” can be described as a variation of the classic vi-IV-I-V progression, which is commonly heard in pop music and has its roots in classical harmony. The use of the III7 chord (E7) is a noteworthy departure from the standard progression, as it is borrowed from the parallel minor key. This borrowed chord adds an unexpected twist and creates a sense of tension, contributing to the emotional depth of the song.

The use of the I-vi-I-vi progression in the beginning of the verse sets an alternating pattern that emphasizes the relative minor key, giving the piece a bittersweet quality. The perfect cadential motion (IV-V-I) present in the song adds to its sense of forward momentum, assuring a satisfying resolution for listeners.

Overall Analysis

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

Style Analysis

“Hallelujah” draws from various influences, including folk, rock, and gospel music. The simple, repetitive chord progression is reminiscent of traditional folk songs, which often feature uncomplicated harmonic structures. The incorporation of the III7 borrowed chord is a nod to the blues tradition, as it adds an element of harmonic surprise and tension that is commonly found in blues and jazz.

Jeff Buckley’s unique vocal style combines elements of rock and gospel, as he is able to move between soaring falsetto and expressively soulful delivery. This blend of influences and styles creates a truly one-of-a-kind piece.

Chords in the Verse 3 section of Hallelujah by Jeff Buckley are:

C, Am, C, Am, F, G, C, G, C, F, G, Am, F, G, E7, Am