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Related Music Theory Alchemy

“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

Jeff Buckley – Hallelujah – Verse 3

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Chord Progression

C, Am, C, Am, F, G, C, G, C, F, G, Am, F, G, E7, Am

Chord Progression Analysis

C (I) – Am (vi) – C (I) – Am (vi) – F (IV) – G (V) – C (I) – G (V) – C (I) – F (IV) – G (V) – Am (vi) – F (IV) – G (V) – E7 (III7) – Am (vi)

Borrowed Chord:
“`
E7 (III7)
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Similar Chord Progressions

1. Leonard Cohen – “Suzanne”
Chord progression: G (I) – Bm (iii) – G (I) – Bm (iii) – A (IV) – D (V) – G (I) – D (V) – G (I)

2. Sam Smith – “Stay with Me”
Chord progression: Am7 (vi7) – F (IV) – C (I) – Gsus4 (V) – G (V)

3. Oasis – “Wonderwall”
Chord progression: Em7 (iii7) – G (V) – Dsus4 (IV) – A7sus4 (II7)

Musical Analysis

The chord progression in the third verse of “Hallelujah” can be described as a variation of the classic vi-IV-I-V progression, which is commonly heard in pop music and has its roots in classical harmony. The use of the III7 chord (E7) is a noteworthy departure from the standard progression, as it is borrowed from the parallel minor key. This borrowed chord adds an unexpected twist and creates a sense of tension, contributing to the emotional depth of the song.

The use of the I-vi-I-vi progression in the beginning of the verse sets an alternating pattern that emphasizes the relative minor key, giving the piece a bittersweet quality. The perfect cadential motion (IV-V-I) present in the song adds to its sense of forward momentum, assuring a satisfying resolution for listeners.

Overall Analysis

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

Style Analysis

“Hallelujah” draws from various influences, including folk, rock, and gospel music. The simple, repetitive chord progression is reminiscent of traditional folk songs, which often feature uncomplicated harmonic structures. The incorporation of the III7 borrowed chord is a nod to the blues tradition, as it adds an element of harmonic surprise and tension that is commonly found in blues and jazz.

Jeff Buckley’s unique vocal style combines elements of rock and gospel, as he is able to move between soaring falsetto and expressively soulful delivery. This blend of influences and styles creates a truly one-of-a-kind piece.

Chords in the Verse 3 section of Hallelujah by Jeff Buckley are:

C, Am, C, Am, F, G, C, G, C, F, G, Am, F, G, E7, Am