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Related Music Theory Alchemy

“Your Song” by Elton John is an iconic pop ballad featuring a piano-driven accompaniment. Harmonically, the song displays rich and varied chord progressions within key of D major, though with a significant usage of borrowed chords and alterations that contribute to a unique and expressive harmonic language. There is a classical and cinematic air about this song establishing it as a flagship Elton John classic.

“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

Elton John – Your Song – Verse 2

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Chord Progression

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]

Chord Progression Analysis

“`
– D Major (I)
– G Major 7th (IV7)
– A Major with C# in the bass (V6)
– F# Minor (iii)
– B Minor (vi)
– B Minor with A in the bass (vi6)
– B Minor with G# in the bass (vi♭6)
– G Major 7th (IV7)
– D Major (I)
– A Major (V)
– F# Major (♭III, borrowed from D Major’s parallel minor)
– B Minor (vi)
– D Major (I)
– E Minor 7th (ii7)
– G Major (IV)
– A Major (V)
– Repeats the above progression once more
“`

Similar Chord Progressions

The Beatles used some similar chord motion in their song “Something” where George Harrison cleverly mixed major and minor chords.

“`
– C Major (I)
– C Major 7th (I7)
– Ami7 (vi7)
– Ami7/G (vi7/5)
– D7 (V7/IV)
– F Major (IV)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
– A minor/G (vi6)
– D7 (V7/IV)
– F Major (IV)
– C Major (I)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
“`
Another song would be Stevie Wonder’s “Sir Duke” with its unique combination of chromatic movements and modal interchange.

“`
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
“`

These soulful chord progressions express a similar sense of emotional complexity and depth found in “Your Song”.

Musical Analysis

This progression features a conventional start with I (D Major), moving to IV7 (G Major 7th), a characteristic Elton John move. The sequence then becomes more complex by moving to complex chordal structures such as A Major over C# (indicating a secondary dominant), which resolves to the mediant chord (F# Minor). There is a descending bass line featured in B Minor, B Minor/A, and B Minor/G#, which provides a dramatic sense of motion.

Overall Analysis

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

Style Analysis

Elton John’s style often includes grand expressions and a sense of yearning with his chord choices. For example, the borrowed F# Major (which is not part of the D Major scale) confers a particularly poignant and dramatic effect to the progression.

Chords in the Verse 2 section of Your Song by Elton John are:

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]