Music Theory Alchemy

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Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

Elton John – Your Song – Verse 2

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Chord Progression

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]

Chord Progression Analysis

“`
– D Major (I)
– G Major 7th (IV7)
– A Major with C# in the bass (V6)
– F# Minor (iii)
– B Minor (vi)
– B Minor with A in the bass (vi6)
– B Minor with G# in the bass (vi♭6)
– G Major 7th (IV7)
– D Major (I)
– A Major (V)
– F# Major (♭III, borrowed from D Major’s parallel minor)
– B Minor (vi)
– D Major (I)
– E Minor 7th (ii7)
– G Major (IV)
– A Major (V)
– Repeats the above progression once more
“`

Similar Chord Progressions

The Beatles used some similar chord motion in their song “Something” where George Harrison cleverly mixed major and minor chords.

“`
– C Major (I)
– C Major 7th (I7)
– Ami7 (vi7)
– Ami7/G (vi7/5)
– D7 (V7/IV)
– F Major (IV)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
– A minor/G (vi6)
– D7 (V7/IV)
– F Major (IV)
– C Major (I)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
“`
Another song would be Stevie Wonder’s “Sir Duke” with its unique combination of chromatic movements and modal interchange.

“`
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
“`

These soulful chord progressions express a similar sense of emotional complexity and depth found in “Your Song”.

Musical Analysis

This progression features a conventional start with I (D Major), moving to IV7 (G Major 7th), a characteristic Elton John move. The sequence then becomes more complex by moving to complex chordal structures such as A Major over C# (indicating a secondary dominant), which resolves to the mediant chord (F# Minor). There is a descending bass line featured in B Minor, B Minor/A, and B Minor/G#, which provides a dramatic sense of motion.

Overall Analysis

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

Style Analysis

Elton John’s style often includes grand expressions and a sense of yearning with his chord choices. For example, the borrowed F# Major (which is not part of the D Major scale) confers a particularly poignant and dramatic effect to the progression.

Chords in the Verse 2 section of Your Song by Elton John are:

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]