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“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

“The song When Doves Cry” by Prince features a very distinctive chord progression in its chorus section. Technically the song is written in a minor key, but the progression tends to flow in a way that feels almost like a major key at times. This is a common characteristic of many Prince songs, signifying the unique and innovative style of the artist.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.

Elton John – Dont Let The Sun Go Down On Me – Chorus

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Chord Progression

[‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’]

Chord Progression Analysis

Here is an analysis of the repeating chorus sequence and the Roman numerals (relative to the key of C Major).

“`
C (I) – C/Bb (I7) – F/A (IV6) – D7/F# (V7 of ii with 3rd in bass) – C/G (I64) – F/C (IV64) – G (V) – C (I)
C/Bb (I7) – F/A (IV6) – Dm (ii) – C/E (I6) – F (IV) – C/G (I64) – G (V) – C (I)
C/Bb (I7) – F/A (IV6) – Ab6 (bVI6, borrowed from C minor) – Bb (bVII, also borrowed from minor) – C (I)
“`
Note that C/Bb, described as I7 here, is more accurately a chromatically descending bass line within the tonic chord.

Similar Chord Progressions

The progression employed in this track is unique and shows Elton John’s specific style. However, there are other songs which have similarities. The sequential use of diatonic and chromatic chords can be found in the Beatles’ music, for instance, they frequently used chromatic mediant relationships, secondary dominant chords and borrowed chords, which is reflected in songs like “In My Life” and “I Want to Hold Your Hand”. You can also consider Billy Joel’s “New York State of Mind” for the use of rich and inventive harmonic structures. Still, these are not exact matches but share some stylistic consistencies.

Musical Analysis

The use of seventh and sixth chords, inverted chords, and borrowed chords from the parallel minor aid in creating a sense of tension, release, and musical interest through an otherwise relatively straightforward progression. The descending bass line in the first couplet of the chorus creates a ‘falling’ or ‘sinking’ sensation which ties into the theme of despair in the lyrics.

Overall Analysis

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

Style Analysis

Elton John often displays a fondness for complex chord changes and sophisticated harmonies in his music. This song continues this trend with its unexpected shifts, like the transition to the D7/F#, typically used as secondary dominant to the ii chord, and the borrowed chords.

Chords in the Chorus section of Dont Let The Sun Go Down On Me by Elton John are:

[‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’]