Music Theory Alchemy

Search

Related Music Theory Alchemy

“Paper Tiger” by Beck is a unique and stylistic piece, displaying a blend of various genres and influences. The verse 2 chord progression is quite simple, but the harmonic choices create tension and provide a sense of movement throughout the progression. Combining the elements of rock, folk, and alternative music, this chord progression is both intriguing and musically satisfying.

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Beck – Paper Tiger – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

E, E7, Bm

Chord Progression Analysis

E Major (I), E Dominant 7 (I7), B Minor (vi)

“`
E Major (I) – E Dominant 7 (I7) – B Minor (vi)
“`

Similar Chord Progressions

1. The Beatles – “I Saw Her Standing There”
Chord Progression: E Major (I) – E7 (I7) – A Major (IV) – B7 (V7)

2. Bob Dylan – “Like A Rolling Stone”
Chord Progression: C Major (I) – Fmaj7 (IVmaj7) – G Major (V) – A Minor (vi)

3. The Police – “Every Breath You Take”
Chord Progression: I Major (I) – VImaj7 (vi^maj7) – IVMaj7 (IV^maj7) – iv^min6 (iv^min6)

These examples show similar usage of dominant 7th chords and resolution to either the IV chord or the relative minor. They demonstrate how this type of chord progression is used in various genres to create distinct and memorable musical experiences.

Musical Analysis

The progression starts with the tonic chord, E Major (I), which establishes the tonal center of the piece. The next chord, E Dominant 7 (I7), introduces tension with the inclusion of the minor 7th interval (in this case, D). This tension is released when the progression resolves to the relative minor (B Minor), which acts as a substitution for the IV chord that would typically follow a dominant 7th chord. The use of the I7 and vi chords adds interest and helps create a sense of movement within the verse while maintaining a unified tonal center.

Overall Analysis

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

Style Analysis

This chord progression can be seen as a blend of rock, pop, and jazz influences, as it uses both diatonic and non-diatonic chords for tension and resolution. Beck often incorporates various genres in his music, and “Paper Tiger” is no exception. The use of dominant 7th chords and resolution to the relative minor is a common technique in jazz and blues music, while the major and minor chords are more prevalent in rock and pop. This combination of musical elements contributes to the unique sound and feel of the piece.

Chords in the Verse 1 section of Paper Tiger by Beck are:

E, E7, Bm