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The chord progression in the chorus of “Paper Tiger” by Beck is an interesting mix of major and minor chords which gives the song a unique and slightly melancholic vibe. While the song is in the key of E major, it contains several chords borrowed from the parallel minor key and features unusual harmonic movement. This creates a sense of tension and release that is characteristic of Beck’s music.

The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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Beck – Paper Tiger – Verse 1

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E Major (I), E Dominant 7 (I7), B Minor (vi)

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E Major (I) – E Dominant 7 (I7) – B Minor (vi)
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Similar Chord Progressions

1. The Beatles – “I Saw Her Standing There”
Chord Progression: E Major (I) – E7 (I7) – A Major (IV) – B7 (V7)

2. Bob Dylan – “Like A Rolling Stone”
Chord Progression: C Major (I) – Fmaj7 (IVmaj7) – G Major (V) – A Minor (vi)

3. The Police – “Every Breath You Take”
Chord Progression: I Major (I) – VImaj7 (vi^maj7) – IVMaj7 (IV^maj7) – iv^min6 (iv^min6)

These examples show similar usage of dominant 7th chords and resolution to either the IV chord or the relative minor. They demonstrate how this type of chord progression is used in various genres to create distinct and memorable musical experiences.

Musical Analysis

The progression starts with the tonic chord, E Major (I), which establishes the tonal center of the piece. The next chord, E Dominant 7 (I7), introduces tension with the inclusion of the minor 7th interval (in this case, D). This tension is released when the progression resolves to the relative minor (B Minor), which acts as a substitution for the IV chord that would typically follow a dominant 7th chord. The use of the I7 and vi chords adds interest and helps create a sense of movement within the verse while maintaining a unified tonal center.

Overall Analysis

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

Style Analysis

This chord progression can be seen as a blend of rock, pop, and jazz influences, as it uses both diatonic and non-diatonic chords for tension and resolution. Beck often incorporates various genres in his music, and “Paper Tiger” is no exception. The use of dominant 7th chords and resolution to the relative minor is a common technique in jazz and blues music, while the major and minor chords are more prevalent in rock and pop. This combination of musical elements contributes to the unique sound and feel of the piece.

Chords in the Verse 1 section of Paper Tiger by Beck are:

E, E7, Bm