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“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

Beck – Paper Tiger – Verse 1

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E Major (I), E Dominant 7 (I7), B Minor (vi)

“`
E Major (I) – E Dominant 7 (I7) – B Minor (vi)
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Similar Chord Progressions

1. The Beatles – “I Saw Her Standing There”
Chord Progression: E Major (I) – E7 (I7) – A Major (IV) – B7 (V7)

2. Bob Dylan – “Like A Rolling Stone”
Chord Progression: C Major (I) – Fmaj7 (IVmaj7) – G Major (V) – A Minor (vi)

3. The Police – “Every Breath You Take”
Chord Progression: I Major (I) – VImaj7 (vi^maj7) – IVMaj7 (IV^maj7) – iv^min6 (iv^min6)

These examples show similar usage of dominant 7th chords and resolution to either the IV chord or the relative minor. They demonstrate how this type of chord progression is used in various genres to create distinct and memorable musical experiences.

Musical Analysis

The progression starts with the tonic chord, E Major (I), which establishes the tonal center of the piece. The next chord, E Dominant 7 (I7), introduces tension with the inclusion of the minor 7th interval (in this case, D). This tension is released when the progression resolves to the relative minor (B Minor), which acts as a substitution for the IV chord that would typically follow a dominant 7th chord. The use of the I7 and vi chords adds interest and helps create a sense of movement within the verse while maintaining a unified tonal center.

Overall Analysis

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

Style Analysis

This chord progression can be seen as a blend of rock, pop, and jazz influences, as it uses both diatonic and non-diatonic chords for tension and resolution. Beck often incorporates various genres in his music, and “Paper Tiger” is no exception. The use of dominant 7th chords and resolution to the relative minor is a common technique in jazz and blues music, while the major and minor chords are more prevalent in rock and pop. This combination of musical elements contributes to the unique sound and feel of the piece.

Chords in the Verse 1 section of Paper Tiger by Beck are:

E, E7, Bm