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Related Music Theory Alchemy

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

The chord progression in the hook of Beck’s “Heart Is A Drum” is in the key of C major and follows a strong diatonic harmonic structure, with the exception of the Dm7, which acts as a borrowed chord from the parallel minor (C minor). The progression exudes a feeling of longing and nostalgia, typical of many popular songs in the indie-folk genre.

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

Beck – Paper Tiger – Verse 1

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E Major (I), E Dominant 7 (I7), B Minor (vi)

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E Major (I) – E Dominant 7 (I7) – B Minor (vi)
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Similar Chord Progressions

1. The Beatles – “I Saw Her Standing There”
Chord Progression: E Major (I) – E7 (I7) – A Major (IV) – B7 (V7)

2. Bob Dylan – “Like A Rolling Stone”
Chord Progression: C Major (I) – Fmaj7 (IVmaj7) – G Major (V) – A Minor (vi)

3. The Police – “Every Breath You Take”
Chord Progression: I Major (I) – VImaj7 (vi^maj7) – IVMaj7 (IV^maj7) – iv^min6 (iv^min6)

These examples show similar usage of dominant 7th chords and resolution to either the IV chord or the relative minor. They demonstrate how this type of chord progression is used in various genres to create distinct and memorable musical experiences.

Musical Analysis

The progression starts with the tonic chord, E Major (I), which establishes the tonal center of the piece. The next chord, E Dominant 7 (I7), introduces tension with the inclusion of the minor 7th interval (in this case, D). This tension is released when the progression resolves to the relative minor (B Minor), which acts as a substitution for the IV chord that would typically follow a dominant 7th chord. The use of the I7 and vi chords adds interest and helps create a sense of movement within the verse while maintaining a unified tonal center.

Overall Analysis

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

Style Analysis

This chord progression can be seen as a blend of rock, pop, and jazz influences, as it uses both diatonic and non-diatonic chords for tension and resolution. Beck often incorporates various genres in his music, and “Paper Tiger” is no exception. The use of dominant 7th chords and resolution to the relative minor is a common technique in jazz and blues music, while the major and minor chords are more prevalent in rock and pop. This combination of musical elements contributes to the unique sound and feel of the piece.

Chords in the Verse 1 section of Paper Tiger by Beck are:

E, E7, Bm