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Related Music Theory Alchemy

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

The outro of Beck’s song “Morning” features a beautiful and interesting chord progression in the key of E major. This progression has a mix of diatonic and borrowed chords that creates an evocative sonority and dreamy atmosphere, fitting seamlessly with the rest of the song.

The chorus of Pink Floyd’s “Comfortably Numb” is a perfect example of their signature sound, combining both rock and progressive elements. The harmonic structure is simple yet effective, providing a sense of resolution and stability throughout the progression. This, combined with the smooth melodic lines, gives listeners a feeling of being “comfortably numb.”

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.

Beck – Lost Cause – Chorus

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Chord Progression

F, G, F, G, F, G, C, A7, F, G/C, F, G, F, G, C

Chord Progression Analysis

F Major (IV), G Major (V), F Major (IV), G Major (V), F Major (IV), G Major (V), C Major (I), A7 (V7/vi), F Major (IV), G/C (V), F Major (IV), G Major (V), F Major (IV), G Major (V), C Major (I)

Borrowed Chord: None

Similar Chord Progressions

1. Radiohead – “Karma Police”:
Chords: Am (vi), D (II), G (V), C (I), Em (iii), Am (vi), G (V), C (I)
In this progression, Radiohead also utilize the IV-V movement (in this case, G-C) and employ non-diatonic chords (D Major) to create a mix of tension and resolution in the harmony.

2. Oasis – “Wonderwall”:
Chords: Em7 (iii7), G (V), Dsus4 (IIsus4), A7sus4 (VII7sus4), Cadd9 (Iadd9), Em7 (iii7), G (V), Dsus4 (IIsus4)
Here, Oasis emphasizes the IV-V pattern (in this case, C-G), and incorporates sus and add chords, thus adding a distinctive texture to the harmony.

Musical Analysis

This progression uses a recurring IV-V pattern (F-G) which gives a sense of movement and builds tension throughout the section. The A7 is the only non-diatonic chord here, which acts as a secondary dominant chord (V7/vi) and temporarily leads the listener towards the vi chord (A minor). However, instead of resolving to A minor, Beck cleverly returns to the IV (F Major) chord, thus thwarting the listener’s expectations and giving the progression a more interesting twist.

Overall Analysis

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

Style Analysis

The simplicity and repetition of the IV-V pattern, combined with the addition of a secondary dominant chord, is indicative of Beck’s genre-blending approach, with elements from folk, alternative rock, and indie pop. The use of mostly major chords and the occasional twisting of harmonic expectations can be seen as reflecting the melancholic nature of the lyrics and the overall theme of the song, which talks about a futile and lost cause.

Chords in the Chorus section of Lost Cause by Beck are:

F, G, F, G, F, G, C, A7, F, G/C, F, G, F, G, C