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“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

Beck – Lost Cause – Chorus

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Chord Progression

F, G, F, G, F, G, C, A7, F, G/C, F, G, F, G, C

Chord Progression Analysis

F Major (IV), G Major (V), F Major (IV), G Major (V), F Major (IV), G Major (V), C Major (I), A7 (V7/vi), F Major (IV), G/C (V), F Major (IV), G Major (V), F Major (IV), G Major (V), C Major (I)

Borrowed Chord: None

Similar Chord Progressions

1. Radiohead – “Karma Police”:
Chords: Am (vi), D (II), G (V), C (I), Em (iii), Am (vi), G (V), C (I)
In this progression, Radiohead also utilize the IV-V movement (in this case, G-C) and employ non-diatonic chords (D Major) to create a mix of tension and resolution in the harmony.

2. Oasis – “Wonderwall”:
Chords: Em7 (iii7), G (V), Dsus4 (IIsus4), A7sus4 (VII7sus4), Cadd9 (Iadd9), Em7 (iii7), G (V), Dsus4 (IIsus4)
Here, Oasis emphasizes the IV-V pattern (in this case, C-G), and incorporates sus and add chords, thus adding a distinctive texture to the harmony.

Musical Analysis

This progression uses a recurring IV-V pattern (F-G) which gives a sense of movement and builds tension throughout the section. The A7 is the only non-diatonic chord here, which acts as a secondary dominant chord (V7/vi) and temporarily leads the listener towards the vi chord (A minor). However, instead of resolving to A minor, Beck cleverly returns to the IV (F Major) chord, thus thwarting the listener’s expectations and giving the progression a more interesting twist.

Overall Analysis

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

Style Analysis

The simplicity and repetition of the IV-V pattern, combined with the addition of a secondary dominant chord, is indicative of Beck’s genre-blending approach, with elements from folk, alternative rock, and indie pop. The use of mostly major chords and the occasional twisting of harmonic expectations can be seen as reflecting the melancholic nature of the lyrics and the overall theme of the song, which talks about a futile and lost cause.

Chords in the Chorus section of Lost Cause by Beck are:

F, G, F, G, F, G, C, A7, F, G/C, F, G, F, G, C