Search

Related Music Theory Alchemy

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

The song “Viva La Vida” by Coldplay is in the key of G major and follows a fairly simple chord progression in the pop/rock genre. This progression particularly makes use of the I, IV, V, and vi chords in this key, which is a typical pop progression.

“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

Beck – Lost Cause – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

F, G, F, G, F, G, C, A7, F, G/C, F, G, F, G, C

Chord Progression Analysis

F Major (IV), G Major (V), F Major (IV), G Major (V), F Major (IV), G Major (V), C Major (I), A7 (V7/vi), F Major (IV), G/C (V), F Major (IV), G Major (V), F Major (IV), G Major (V), C Major (I)

Borrowed Chord: None

Similar Chord Progressions

1. Radiohead – “Karma Police”:
Chords: Am (vi), D (II), G (V), C (I), Em (iii), Am (vi), G (V), C (I)
In this progression, Radiohead also utilize the IV-V movement (in this case, G-C) and employ non-diatonic chords (D Major) to create a mix of tension and resolution in the harmony.

2. Oasis – “Wonderwall”:
Chords: Em7 (iii7), G (V), Dsus4 (IIsus4), A7sus4 (VII7sus4), Cadd9 (Iadd9), Em7 (iii7), G (V), Dsus4 (IIsus4)
Here, Oasis emphasizes the IV-V pattern (in this case, C-G), and incorporates sus and add chords, thus adding a distinctive texture to the harmony.

Musical Analysis

This progression uses a recurring IV-V pattern (F-G) which gives a sense of movement and builds tension throughout the section. The A7 is the only non-diatonic chord here, which acts as a secondary dominant chord (V7/vi) and temporarily leads the listener towards the vi chord (A minor). However, instead of resolving to A minor, Beck cleverly returns to the IV (F Major) chord, thus thwarting the listener’s expectations and giving the progression a more interesting twist.

Overall Analysis

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

Style Analysis

The simplicity and repetition of the IV-V pattern, combined with the addition of a secondary dominant chord, is indicative of Beck’s genre-blending approach, with elements from folk, alternative rock, and indie pop. The use of mostly major chords and the occasional twisting of harmonic expectations can be seen as reflecting the melancholic nature of the lyrics and the overall theme of the song, which talks about a futile and lost cause.

Chords in the Chorus section of Lost Cause by Beck are:

F, G, F, G, F, G, C, A7, F, G/C, F, G, F, G, C