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Related Music Theory Alchemy

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Beck – Heart Is A Drum – Verse 1

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Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C (I) – Dm7 (ii7) – C (I) – C (I) – Dm7 (ii7) – C (I)

Similar Chord Progressions

1. Bob Dylan – “Don’t Think Twice, It’s All Right”
Chord Progression: C (I) – G (V) – Am (vi) – C (I) – D7/F# (V7/ii) – G (V) – G7 (V7)

2. Nick Drake – “Northern Sky”
Chord Progression: C (I) – E7 (III7) – Am7 (vi7) – C/G (I) – Fmaj7 (IVmaj7) – G (V)

3. José González – “Heartbeats”
Chord Progression: C (I) – E (III) – Am (vi) – Fmaj7 (IVmaj7) – G (V) – C (I)

While none of these progressions are identical to that of “Heart Is A Drum,” they all demonstrate a similar inclination for simplicity and emotion, by blending the stability of the diatonic chords with subtle harmonic twists that add character and depth to the music.

Musical Analysis

The simple, repetitive chord progression effectively communicates an introspective, pensive mood that is consistent with the song’s theme. Alternating between the tonic and subdominant chords in this way creates a sense of stability, as the movement between these chords is neither driven by the strong dominant-tonic relationship, nor surprising with any borrowed chords or dramatic modulations. The use of a minor seventh chord—a more emotionally complex sound—adds depth to the subdominant harmony and contrasts subtly with the straightforward major triad on the other chords.

Overall Analysis

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

Style Analysis

This chord progression reflects Beck’s signature blend of styles, drawing from folk, alternative, and even a hint of gospel harmony, with the ii7 chord evoking a gentle soulfulness. The minimalist and reflective nature of this progression is consistent with the introspective lyrical content of the song, and the simplicity of the harmonic structure allows for a more prominent focus on the melody and lyrics.

Chords in the Verse 1 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C