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Related Music Theory Alchemy

“Heart Is A Drum” by Beck is a song with a somewhat unconventional chord progression in the hook that features major and minor chords, as well as a borrowed minor chord. It has a melancholic and introspective feeling to it. The style can be associated with the indie folk-pop genre.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

Beck – Heart Is A Drum – Verse 1

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Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C (I) – Dm7 (ii7) – C (I) – C (I) – Dm7 (ii7) – C (I)

Similar Chord Progressions

1. Bob Dylan – “Don’t Think Twice, It’s All Right”
Chord Progression: C (I) – G (V) – Am (vi) – C (I) – D7/F# (V7/ii) – G (V) – G7 (V7)

2. Nick Drake – “Northern Sky”
Chord Progression: C (I) – E7 (III7) – Am7 (vi7) – C/G (I) – Fmaj7 (IVmaj7) – G (V)

3. José González – “Heartbeats”
Chord Progression: C (I) – E (III) – Am (vi) – Fmaj7 (IVmaj7) – G (V) – C (I)

While none of these progressions are identical to that of “Heart Is A Drum,” they all demonstrate a similar inclination for simplicity and emotion, by blending the stability of the diatonic chords with subtle harmonic twists that add character and depth to the music.

Musical Analysis

The simple, repetitive chord progression effectively communicates an introspective, pensive mood that is consistent with the song’s theme. Alternating between the tonic and subdominant chords in this way creates a sense of stability, as the movement between these chords is neither driven by the strong dominant-tonic relationship, nor surprising with any borrowed chords or dramatic modulations. The use of a minor seventh chord—a more emotionally complex sound—adds depth to the subdominant harmony and contrasts subtly with the straightforward major triad on the other chords.

Overall Analysis

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

Style Analysis

This chord progression reflects Beck’s signature blend of styles, drawing from folk, alternative, and even a hint of gospel harmony, with the ii7 chord evoking a gentle soulfulness. The minimalist and reflective nature of this progression is consistent with the introspective lyrical content of the song, and the simplicity of the harmonic structure allows for a more prominent focus on the melody and lyrics.

Chords in the Verse 1 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C