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“Set Fire To The Rain” is a song that largely follows the conventions of pop music, with its simple and repetitive chord progressions echoing those in many similar genres. The chord progression observed in the Outro is primarily a combination of minor and major chords that provide a melancholic and intense undertone to the song’s overall theme. The song is in the key of A minor and the chord progression in the Outro starts on the key’s root chord (‘Am’).

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

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The song “Jolene” by Dolly Parton sports a simple yet effective chord progression. The entire song is in the key of C major / A minor (they share the same key signature), with a clear preference for the darker minor tones over the light major tones. This song is a great example of the use of simple chord structures and progressions to evoke emotive sensations.

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Adele – Set Fire To The Rain – Chorus

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Chord Progression

[‘Am’, ‘Am/B’, ‘Am’, ‘G’, ‘G/A’, ‘G’, ‘Dm’, ‘Dm’, ‘F’, ‘Am’, ‘G’, ‘Am’, ‘Am/B’, ‘Am’, ‘G’, ‘G/A’, ‘G’, ‘Dm’, ‘Dm’, ‘F’, ‘Am’, ‘G’]

Chord Progression Analysis

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– A minor (vi)
– A minor/B (vi6/4)
– A minor (vi)
– G Major (V)
– G Major/A (V6/4)
– G Major (V)
– D minor (i)
– D minor (i)
– F Major (III)
– A minor (vi)
– G Major (V)
– A minor (vi)
– A minor/B (vi6/4)
– A minor (vi)
– G Major (V)
– G Major/A (V6/4)
– G Major (V)
– D minor (i)
– D minor (i)
– F Major (III)
– A minor (vi)
– G Major (V)

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Similar Chord Progressions

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1. “Rolling In The Deep” by Adele uses a similar chord progression with the pattern being [Am, G, F, G].
2. “Bad Guy” by Billie Eilish uses a similar chord progression with the pattern being [Gm, Gm/A, Gm/Bb, Cm].
3. “Someone Like You” by Adele uses a similar chord progression with the pattern being [A, E/G#, F#m, D, A, E].
4. “Just The Way You Are” by Bruno Mars uses a similar chord sequence of [F, Dm, Bb, F].

This shows that such chord patterns are quite popular throughout many pop songs.

Musical Analysis

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Adele starts the first chorus in A minor, proceeding to an inversed A minor over B. She then goes back to the A minor, then to a G Major chord, and follows it with a G Major over A which creates a suspended feel before transitioning back to the G Major chord.

The D minor sections in the chorus are the points where the song heightens in energy and intensity. following this heightened feel, Adele then moves to F major to create a resolution, creating a sense of completeness, and in the process, making the audience feel something powerful.

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Overall Analysis

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‘Set Fire to the Rain’ is written in the key of D minor. The main course of progression uses the chords of Dm, B-flat Major, F Major and C Major. This is a 6-4-1-5 progression, which is very popular and is used in a lot of pop music.

What makes this progression interesting is that Adele uses the 2nd inversion of the A minor chord, Am/B, and G/A, which gives it a unique timbre. `Am/B` is the 2nd inversion of the `Am` chord and `G/A` is the 2nd inversion of the `G` chord.

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Style Analysis

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Adele’s style often combines pop-soul with contemporary pop music, using simple, effective chord progressions as the building blocks for her emotive and evocative melodies and her distinctive, powerhouse vocal delivery.

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Chords in the Chorus section of Set Fire To The Rain by Adele are:

[‘Am’, ‘Am/B’, ‘Am’, ‘G’, ‘G/A’, ‘G’, ‘Dm’, ‘Dm’, ‘F’, ‘Am’, ‘G’, ‘Am’, ‘Am/B’, ‘Am’, ‘G’, ‘G/A’, ‘G’, ‘Dm’, ‘Dm’, ‘F’, ‘Am’, ‘G’]