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“Set Fire To The Rain” is a song that largely follows the conventions of pop music, with its simple and repetitive chord progressions echoing those in many similar genres. The chord progression observed in the Outro is primarily a combination of minor and major chords that provide a melancholic and intense undertone to the song’s overall theme. The song is in the key of A minor and the chord progression in the Outro starts on the key’s root chord (‘Am’).

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

“Boulevard of Broken Dreams” by Green Day, released in 2004, is an alt-rock anthem that largely follows a 4-chord progression throughout the song. The key signature of the song is E minor (derived from the root chord), and essentially all chords used in the song are diatonic, meaning they are derived from the scales of the key. The chorus shifts to a progression in C Major. However, it returns to E minor at the end.

Adele – Set Fire To The Rain – Chorus

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Chord Progression

[‘Am’, ‘Am/B’, ‘Am’, ‘G’, ‘G/A’, ‘G’, ‘Dm’, ‘Dm’, ‘F’, ‘Am’, ‘G’, ‘Am’, ‘Am/B’, ‘Am’, ‘G’, ‘G/A’, ‘G’, ‘Dm’, ‘Dm’, ‘F’, ‘Am’, ‘G’]

Chord Progression Analysis

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– A minor (vi)
– A minor/B (vi6/4)
– A minor (vi)
– G Major (V)
– G Major/A (V6/4)
– G Major (V)
– D minor (i)
– D minor (i)
– F Major (III)
– A minor (vi)
– G Major (V)
– A minor (vi)
– A minor/B (vi6/4)
– A minor (vi)
– G Major (V)
– G Major/A (V6/4)
– G Major (V)
– D minor (i)
– D minor (i)
– F Major (III)
– A minor (vi)
– G Major (V)

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Similar Chord Progressions

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1. “Rolling In The Deep” by Adele uses a similar chord progression with the pattern being [Am, G, F, G].
2. “Bad Guy” by Billie Eilish uses a similar chord progression with the pattern being [Gm, Gm/A, Gm/Bb, Cm].
3. “Someone Like You” by Adele uses a similar chord progression with the pattern being [A, E/G#, F#m, D, A, E].
4. “Just The Way You Are” by Bruno Mars uses a similar chord sequence of [F, Dm, Bb, F].

This shows that such chord patterns are quite popular throughout many pop songs.

Musical Analysis

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Adele starts the first chorus in A minor, proceeding to an inversed A minor over B. She then goes back to the A minor, then to a G Major chord, and follows it with a G Major over A which creates a suspended feel before transitioning back to the G Major chord.

The D minor sections in the chorus are the points where the song heightens in energy and intensity. following this heightened feel, Adele then moves to F major to create a resolution, creating a sense of completeness, and in the process, making the audience feel something powerful.

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Overall Analysis

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‘Set Fire to the Rain’ is written in the key of D minor. The main course of progression uses the chords of Dm, B-flat Major, F Major and C Major. This is a 6-4-1-5 progression, which is very popular and is used in a lot of pop music.

What makes this progression interesting is that Adele uses the 2nd inversion of the A minor chord, Am/B, and G/A, which gives it a unique timbre. `Am/B` is the 2nd inversion of the `Am` chord and `G/A` is the 2nd inversion of the `G` chord.

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Style Analysis

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Adele’s style often combines pop-soul with contemporary pop music, using simple, effective chord progressions as the building blocks for her emotive and evocative melodies and her distinctive, powerhouse vocal delivery.

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Chords in the Chorus section of Set Fire To The Rain by Adele are:

[‘Am’, ‘Am/B’, ‘Am’, ‘G’, ‘G/A’, ‘G’, ‘Dm’, ‘Dm’, ‘F’, ‘Am’, ‘G’, ‘Am’, ‘Am/B’, ‘Am’, ‘G’, ‘G/A’, ‘G’, ‘Dm’, ‘Dm’, ‘F’, ‘Am’, ‘G’]