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Related Music Theory Alchemy

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

“Someone to Love” by Queen is a rock song infused with gospel and blues influences. It’s written in the key of Ab major but the second verse you have provided seems to be in G major.

“Stairway to Heaven” by Led Zeppelin is a classic and iconic rock song released in 1971, as part of their fourth studio album, Led Zeppelin IV. The song is considered one of the greatest rock songs of all time, featuring an intricate chord progression, a memorable melody, and folk-inspired acoustic guitar work. The verse you provided is the second verse of the song, which shares a similar, but not identical chord progression to the other verses. The song is in the key of A minor, and the chord progression showcases a mix of diatonic and borrowed chords, along with a couple of chromatic alterations.

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

A Perfect Circle – The Outsider – Verse 2

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Chord Progression

[‘B’, ‘A’, ‘E’, ‘B’, ‘B’, ‘A’, ‘B’, ‘A’, ‘E’]

Chord Progression Analysis

The provided fragment of the song alternates between B major, A major, and E major, implying a key of E major. As such, the chords would be identified as:

– B Major (V)
– A Major (IV)
– E Major (I)

The repeated cycling through these chords would look like this:

`[B Major (V), A Major (IV), E Major (I), B Major (V), B Major (V), A Major (IV), B Major (V), A Major (IV), E Major (I)]`

Similar Chord Progressions

There are numerous examples of songs that use a similar progression, here are a few:

– Green Day’s “Boulevard of Broken Dreams” (Em, G, D, A) `[E minor (i), G Major (III), D Major (VII), A Major (IV)]`
– The Rolling Stones’ “Angie” (Am, E7, G, F) `[A minor (i), E7 (V), G Major (III), F Major (VI)]`
– The Beatles’ “Let it Be” (C, G, Am, F) `[C Major (I), G Major (V), A minor (vi), F Major (IV)]`

Please note that these examples are natively in different keys, and have been adjusted to fit the key of E major for comparison with ‘The Outsider’. So the Roman numeral designations will differ within their own native key structures. They are only the same in the key of E Major.

Musical Analysis

The Outsider, by A Perfect Circle, uses a strong and repeating chord progression throughout the song. This gives the music a driven, cyclical feel. The move between B (V), A (IV), and E (I) is a very strong resolution in classical harmony, known as a perfect cadence. This move to the tonic (I) chord at the end of the progression provides a satisfying resolution, making the music feel settled and complete at the end of each cycle.

Overall Analysis

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

Style Analysis

A Perfect Circle’s style is often characterized by angsty lyrics, down-tuned guitars, complex time signatures, and innovative chord progressions. The band blends elements of progressive rock, art rock, hard rock, and metal into their sound.

Chords in the Verse 2 section of The Outsider by A Perfect Circle are:

[‘B’, ‘A’, ‘E’, ‘B’, ‘B’, ‘A’, ‘B’, ‘A’, ‘E’]