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Related Music Theory Alchemy

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

The chorus of Weezer’s song “Say It Ain’t So” can be analyzed as a simple and memorable chord progression in the key of C major. The progression features a repeating pattern of four chords: Am, E, F, and C.

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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Weezer – The Good Life – Chorus

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Chord Progression

B7, C, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em

Chord Progression Analysis

B7 (V7/iii), C (IV), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi)

Borrowed Chord:
`B7 (V7/iii)`

Similar Chord Progressions

1. Radiohead – “Creep”
Chorus: G (I), B7 (V7/iii), C (IV), Cm (iv)

2. Coldplay – “The Scientist”
Verse: Dm (ii), B♭ (IV), F (I), C (V)

Both examples showcase the use of chromatic chords and unconventional progressions, similar to Weezer’s “The Good Life” chorus. In “Creep,” the B7 is a borrowed chord (V7/iii) as well, while in “The Scientist,” the progression features a (ii-IV-I-V) pattern, which isn’t as common in popular music.

Musical Analysis

In this chorus, the predominant key is G major, with most chords belonging to the diatonic set. However, the B7 chord, the dominant seventh of E minor, is borrowed from the parallel minor key (G minor), which adds a chromatic element to the progression.

The song follows a common pattern in popular rock music; the chords mostly move by fourths (roots of the chords being a fourth apart). This pattern can be seen in multiple instances within the progression, such as D-G, G-Em, Am-D, and D-G.

Overall Analysis

The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

Style Analysis

Weezer is known for incorporating unconventional elements in their music and shifting from diatonic to non-diatonic chords. Their use of relatively simple chord progressions, combined with borrowed chords or chords from other keys, is a trademark, as seen in “The Good Life.” Furthermore, the band often employs repetition to create a sense of coherence, which is visible in the chorus of this song.

Chords in the Chorus section of The Good Life by Weezer are:

B7, C, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em