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The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

The acoustic outro of “My Name is Jonas” features a simple and catchy five-chord progression which follows a predominantly major tonality with a touch of minor tonality. The loop creates a memorable and recognizable melody that is widely associated with Weezer’s popularity in the alternative rock scene during the ’90s.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

The song “I Want to Hold Your Hand” by The Beatles is cheerful and upbeat, with accessible melodies that catch the audience’s attention immediately. The rhythm is contagious and gives a happy atmosphere to the whole song. It is a perfect example of the early influences of rock ‘n’ roll on The Beatles, with a chord progression that is quite common in pop/rock music but showcases The Beatles’ ability to create fresh and unique melodic ideas.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

Weezer – Say It Aint So – Chorus

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Chord Progression

Am, E, F, C, Am, E, F, C, Am, E, F, C, Am, E, F, C

Chord Progression Analysis

Am (vi) – E (V/vi) – F (IV) – C (I)

Similar Chord Progressions

1. Radiohead – “Creep”
Chord Progression: G (I) – B (III) – C (IV) – Cm (iv)

2. Green Day – “When I Come Around”
Chord Progression: G (I) – D (V) – Em (vi) – C (IV)

3. Pink Floyd – “Wish You Were Here”
Chord Progression: Em (ii) – G (IV) – Am (vi) – Em (ii)

4. The Cranberries – “Zombie”
Chord Progression: Em (iii) – C (I) – G (V) – D (ii)

Musical Analysis

The chord progression starts on the vi (Am) chord, which serves as the relative minor to the tonic C major. This creates a darker, more introspective sound to the chorus. The next chord is E (V/vi), which can be seen as a borrowed chord from the parallel harmonic minor key (A harmonic minor).

“` Borrowed Chord: E (V/vi) “`

This introduces a greater sense of tension, which is then resolved to the F (IV) chord. Finally, the C (I) tonic chord resolves the progression and brings it back to the major sound. The repeating nature of this progression creates a sense of familiarity, while the interplay between the minor and major chords lends the progression its emotional depth.

Overall Analysis

The chorus of Weezer’s song “Say It Ain’t So” can be analyzed as a simple and memorable chord progression in the key of C major. The progression features a repeating pattern of four chords: Am, E, F, and C.

Style Analysis

Weezer’s “Say It Ain’t So” is a rock song with a grunge influence, characterized by its distorted guitar riffs and introspective lyrics. The style of this progression, with its somber start on the vi chord and use of a borrowed chord to create tension, contributes to the overall mood of the song. The simple, diatonic nature of the progression is also reminiscent of traditional pop songwriting.

Chords in the Chorus section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C, Am, E, F, C, Am, E, F, C