Music Theory Alchemy

Search

Related Music Theory Alchemy

The chorus of “Give Me The Night” by George Benson features a smooth chord progression that explores both diatonic and borrowed chords, creating a sophisticated sound that is characteristic of the jazz and R&B styles prevalent in the late 1970s and early 1980s. The progression is comprised of chords that stem from the Fm7 key but also includes a borrowed Dbmaj7 chord.

The pre-chorus section of George Benson’s “Give Me The Night” is a smooth and interesting progression that exhibits characteristics of the jazz, funk, and R&B styles. It features a mix of seventh chords and inversions, and utilizes both diatonic and borrowed chords from the parallel minor key.

George Benson – Give Me The Night – Pre-Chorus 5

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Dbmaj7, Bbm7, Db/F, Db/Eb

Chord Progression Analysis

Dbmaj7 (I): D♭ – F – A♭ – C
Bbm7 (vi): B♭ – D♭ – F – A♭
Db/F (I6/4): F – A♭ – C – D♭
Db/Eb (I♭7): E♭ – F – A♭ – C

No borrowed chords are present in this chord progression.

“`Chord progression: | Dbmaj7 (I) | Bbm7 (vi) | Db/F (I6/4) | Db/Eb (I♭7) |“`

Similar Chord Progressions

1. Stevie Wonder – “Overjoyed”
Chord progression: | Cmaj7 (I) | E7 (#V) | Am7 (vi) | Abm6 (bVIm6) |

2. Earth, Wind & Fire – “After the Love Has Gone”
Chord progression: | Bbmaj9 (I) | Am7 (viiø) | Dm7 (iii) | Gm7 (vi) |

Both of these songs feature extended chords and smooth voice leading, displaying similar characteristics and influences to George Benson’s “Give Me The Night.”

Musical Analysis

The progression starts with the tonic (I) chord, Dbmaj7, providing a sense of home and stability. It then moves to the vi chord, Bbm7, a common substitution for the IV chord, which adds color and tension. The Db/F (I6/4) chord functions as a first inversion of the tonic, emphasizing the F note in the bass and creating a smooth stepwise descent towards the next bass note. Finally, the Db/Eb (I♭7) features an E♭ in the bass, further extending the chromatic descending bass line. The descending bass line adds a sense of movement and keeps the progression interesting.

Overall Analysis

The chord progression in the pre-chorus of George Benson’s “Give Me The Night” can be described as a smooth, jazzy, and mellow progression influenced by R&B and jazz-funk styles. It features a combination of diatonic chords and extensions, which create a sense of sophistication and complexity.

Style Analysis

The chord progression in “Give Me The Night” showcases characteristics common in R&B and jazz-funk styles. The use of extended chords like Dbmaj7 and Bbm7 adds complexity and sophistication, while the chromatic descending bass line creates a sense of forward momentum. This combination of diatonic chords, color tones, and smooth voice leading contributes to the mellow, laid-back, and expressive quality of the song.

Chords in the Pre-Chorus 5 section of Give Me The Night by George Benson are:

Dbmaj7, Bbm7, Db/F, Db/Eb