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Related Music Theory Alchemy

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

“Wonderwall” by Oasis is a rock song with folk roots and a melodic pop influence. It uses the alternative rock idiom of harmony, which bestows the song with a sound leaning towards traditional folk and classic pop. The band utilizes common vintage chords mixed with modern progressions to create that identifiable Oasis sound.

Muse – Endlessly – Chorus

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Chord Progression

Dm, Am, Dm, F, C, E, Em7b5/Bb, A7, Dm, G, C

Chord Progression Analysis

D minor (i), A minor (v), D minor (i), F major (III), C major (VII), E major (II), E minor 7 flat 5 over Bb (ivø7/♭VI), A7 (V7), D minor (i), G major (IV), C major (VII)

“` Borrowed Chord: E major (II) “`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
Chord progression in bridge: [C#m7(i), B7(♭VII7), G#m7(iv), G7(♭III7)]

2. The Beatles – “Michelle”
Chord progression in verse: [Fm(i), B♭m(v), E♭(♭VII), A♭(♭III), D♭(♭VI), A♭(♭III), E♭(♭VII), B♭m(v)]

3. Coldplay – “Viva La Vida”
Chord progression in verse: [C(I), D(IV), G(VI), E♭m/♭III, A(V), B♭m/♭III, G(VI), A2(V7)]

It is important to note that Muse’s chord progression in “Endlessly” is quite unique, and it’s difficult to find an exact match in other songs. However, the examples mentioned above share characteristics such as borrowed chords or unexpected harmonic twists that give them a similar eclectic feel.

Musical Analysis

Though the piece is primarily in D minor, the inclusion of an E major chord (which is borrowed as the major II from D harmonic/melodic minor) adds a nice momentary color to break up the typical minor progressions. The use of E minor7♭5/B♭ is an interesting substitution for a diminished or half-diminished chord, as it results in a smoother chromatic bassline approach to the A7, which then resolves back to D minor as the V7-i cadence.

Overall Analysis

The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

Style Analysis

Muse is known for its genre-blending style that often incorporates elements from classical and progressive music into their rock/pop sound. The combination of borrowed chords, chromatic alterations, and borrowed harmony in this progression is no doubt an example of their progressive tendencies, while still maintaining a relatively accessible sound.

Chords in the Chorus section of Endlessly by Muse are:

Dm, Am, Dm, F, C, E, Em7b5/Bb, A7, Dm, G, C