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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

Jimi Hendrix – Castles Made Of Sand – Verse 2

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Chord Progression

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G

Chord Progression Analysis

Here’s the chord progression along with their Roman numeral notation:

F Major (IV), A Minor (vi), E Minor 7 (iii7), F Major (IV), C Major (I), G Major (V), F Major (IV), A Minor (vi), E Minor 7 (iii7), F Major (IV), C Major (I), G Major (V)

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps” (Verse Chords)
Am (i), Am/G (i), Am/F# (i), Am/F (i), G (VII), D (IV), E (V), E7 (V7)

2. Radiohead – “Exit Music (For a Film)” (Verse Chords)
Am (i), Am/C (i), G (VII), G/F# (VII), F (VI), Fm (vi), E7 (V7), E7sus4 (V7sus4)

Both of these examples show the use of major and minor tonalities and non-diatonic chords within their verse progressions, similar to “Castles Made of Sand.” They also incorporate borrowed chords and variations in bass notes, which contribute to the overall sense of tension and release within their respective chord progressions.

Musical Analysis

Harmonically, this progression features some non-diatonic chords, specifically the E Minor 7, which functions as a borrowed chord from the parallel minor key, C minor. This gives the progression an interesting twist and enhances its sense of tension and release.

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Borrowed chord: E Minor 7 (iii7, from C minor)
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The use of the iv degree, F Major, in the beginning also adds to the tension of the progression – by avoiding the typical tonic chord resolution to I (C Major), the passage is given more momentum, which helps propel it forward.

There’s also a common harmonic cadence known as the plagal cadence (IV – I) when the chords move from F Major to C Major. Moreover, the progression employs the V (G Major), which has a dominant function, creating a perfect authentic cadence (V – I) at the end, providing a sense of harmonic closure.

Overall Analysis

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

Style Analysis

Jimi Hendrix was known for his remarkably versatile technique, both as an instrumentalist and composer, which is demonstrated in the chord progression. It epitomizes his talent for blending different harmonic elements, such as major and minor tonalities, or extended chords, like Em7. These diverse characteristics contributed to defining the psychedelic and experimental qualities of his music during the 1960s and 70s.

Chords in the Verse 2 section of Castles Made Of Sand by Jimi Hendrix are:

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G