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Related Music Theory Alchemy

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

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The overall chord progression of “A Hard Days Night” by The Beatles fluctuates between major and minor keys which adds a level of emotional complexity to the song. The use of borrowed chords and unique transitions makes it a noteworthy piece in the realm of 20th-century popular music.

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“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The Beatles – I Want To Hold Your Hand – Verse 1

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]

Chord Progression Analysis

– G Major (I)
– D Major (V)
– E minor (vi)
– B Major (‘III borrowed from parallel minor’)
– G Major (I)
– D Major (V)
– E minor (vi)
– B7 Major (‘III7 borrowed from parallel minor’)

A code block for the borrowed chord:
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“B Major” and “B7 Major” are borrowed from the parallel minor (G minor) scale
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Similar Chord Progressions

Artists like The Beach Boys and Elton John have also used similar chord progressions. For example, in Elton John’s “Tiny Dancer”:

– A Major (I)
– E Major (V)
– F# minor (vi)
– C# Major (‘III borrowed from parallel minor’)
– A Major (I)
– E Major (V)
– F# minor (vi)
– C#7 Major (‘III7 borrowed from parallel minor’)

In Beach Boys’ “God Only Knows”, the progression is:

– A Major (I)
– E Major (V)
– F# minor (vi)
– C# Major (‘III borrowed from parallel minor’)
– A Major (I)
– E Major (V)
– F# minor (vi)
– C#7 Major (‘III7 borrowed from parallel minor’)

Musical Analysis

Borrowed chords create an unexpected element in chord progressions and it’s one of the tools used by The Beatles for enhancing musical interest in their composition. The use of the B Major and B7 chords from the parallel minor scale adds a unique color to the harmony and increases the tension which is resolved when returning to the G Major. It also creates a seamless chromatic ascending bass line from E (in Em chord) to F# (in G chord) via F (in B major or B7).

Overall Analysis

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

Style Analysis

The use of major chords borrowed from the parallel minor scale is a key characteristic of The Beatles’ style and it’s evident in many of their songs. It gives a happy yet melancholic feel to the song. Another style hallmark in this song is the effective use of dominant 7th chords to create a sense of anticipation and resolve.

Chords in the Verse 1 section of I Want To Hold Your Hand by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]