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“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

The song “A Day in the Life” by the Beatles is known for its unique and striking musical features. The chord progression in the interlude, in particular, represents an example of the Beatles’ innovative approach to harmonic structure and tonal movement. This section is essentially a sequence of dominant-seventh chords that each resolve to the note a fifth below, a common harmonic progression known as the circle of fifths. The interlude features a prominent orchestral crescendo and transition that are hallmarks of the Beatles’ experimental approach to the use of orchestral instruments in rock music.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

The song “Every Day is Exactly the Same” by Nine Inch Nails is in E minor key. The chord progression found in the chorus consists mainly of common chords found in the E minor key, along with a couple of borrowed chords from E major. The use of borrowed chords adds unique color and tension to the music.

The song “Space Oddity” by David Bowie features a complex and varied chord progression that incorporates elements of both traditional and experimental popular music. The song is in the key of C Major, and its progression is characterized by the use of modal interchange, or the borrowing of chords from parallel scales. This is indicative of Bowie’s varied musical influences, combining elements of folk, rock, and pop while also incorporating experimental techniques associated with progressive rock.

The Beatles – Cant Buy Me Love – Chorus

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Chord Progression

[‘Em’, ‘Am’, ‘Em’, ‘Am’, ‘Dm11’, ‘G13’, ‘C’, ‘C(7)’]

Chord Progression Analysis

Here’s the chord progression for the chorus:

– Em (“iii”);
– Am (“vi”);
– Em (“iii”);
– Am (“vi”);
– Dm11 (“ii11”);
– G13 (“V13”);
– C (“I”);
– C(7) (“I7”).

And here are the borrowed chords used in this progression:
Em, Am, and Dm11 are borrowed chords from the parallel minor key.

“`Markdown
– Em: Borrowed from C minor (“bIII”);
– Am: Borrowed from C minor (“vi”);
– Dm11: Borrowed from C minor (“ii11”).
“`

Similar Chord Progressions

A similar chord progression can be seen in Stevie Wonder’s “I Was Made To Love Her” in the key of F#:
F#m (“iii”), Bm (“vi”), F#m (“iii”), Bm (“vi”), G#m9 (“ii9”), C#9 (“V9”), F# (“I”), F#7 (“I7”).
This follows a similar pattern of descending minor thirds and the ii-V-I progression at the end, though the ii chord is a ninth as opposed to an eleventh as seen in “Can’t Buy Me Love”.

Musical Analysis

The chorus starts on the iii chord, which is the mediant of C Major, creating a sense of modulation. Then it shifts to the vi chord, providing an instance of borrowed chord from the C minor, which adds tension and emotional weight to the section. The progression then returns to the iii and again to vi. Finally, the song shifts to the ii11-V13-I progression – Dm11 to G13 to C. This is a classic jazz progression and it provides a smooth resolution back to the tonic. Lastly the phrase concludes with a C7, a dominant 7th chord, which indicates a return to the F major in the verse.

Overall Analysis

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

Style Analysis

This song is a great example of The Beatles’ indelible mark on popular music and their creative use of harmonic structure. Despite being rooted in pop/rock music, their incorporation of complex and jazz-like progressions such as the ii-V-I show their wide musical influences and innovation.

Chords in the Chorus section of Cant Buy Me Love by The Beatles are:

[‘Em’, ‘Am’, ‘Em’, ‘Am’, ‘Dm11’, ‘G13’, ‘C’, ‘C(7)’]