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Related Music Theory Alchemy

“Wicked Game” is a song that sits neatly within the Pop-Rock category and is known for its haunting melody and introspective lyrics. It has a very simple chord progression that affects a moody, melancholic ambience. This type of progression is very common in popular music across all genres due to its simplicity and potential for various melodic and lyrical directions.

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

Chris Isaak – Wicked Game – Verse 3

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Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

The three chords used in this progression are B minor (Bm), A Major (A), and E Major (E). Here is the breakdown:

– Bm (i)
– A (VII)
– E (IV)

This progression is a good example of modal mixture, also known as modal interchange.

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Borrowed Chord: ‘E Major (IV)’
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Similar Chord Progressions

A similar chord progression can be found in “Zombie” by The Cranberries (Em – C – G – D), Madonna’s “Like a Prayer” (Dm – C – Gm – A) and Lady Gaga’s “Poker Face” (G#m – E – B – F#).

The chord progressions in these songs follow a similar pattern to “Wicked Game,” using a stable home chord, a pivot chord, and a hanging resolution.
The Cranberries’ “Zombie”:
– Em (i)
– C (VI)
– G (III)
– D (VII)

Madonna’s “Like a Prayer”:
– Dm (i)
– C (VII)
– Gm (IV)
– A (VI)

Lady Gaga’s “Poker Face”:
– G#m (i)
– E (V)
– B (III)
– F# (VI)

Musical Analysis

The progression starts off with B minor (Bm), the tonic (i) and stable home chord. The progression then moves to A Major (VII), which is a subtonic major, providing a pivot to an unexpected turn. The progression resolves back to the E Major (E), the subdominant (IV), rather than the anticipated tonic, B minor (Bm). This provides a sense of hanging in mid-air, keeping the listener engaged for the return to the tonic.

Overall Analysis

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

Style Analysis

Chris Isaak’s music often blends elements of rock, pop, and country, often with a late 1950s and early 1960s rock-and-roll influence. “Wicked Game” in particular is characterized by its moody ambiance and atmospheric guitar tones. Harmonically, the borrowed chord (E Major) provides a bit of an unexpected twist, showcasing Isaak’s penchant for infusing his music with emotional tension and release.

Chords in the Verse 3 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]