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“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

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“Zombie” by The Cranberries features a relatively commonly used chord progression in pop/rock music, often referred to as a ‘vi-IV-I-V’ progression. This chord progression, in this particular case, is in the key of G Major and is made up of four chords: Em, C, G, and D/F#.

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Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

The Cranberries – Zombie – Chorus 2

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Chord Progression

[‘Em’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G’, ‘D/F#’]

Chord Progression Analysis

Full Chord name (Roman Numeral)
• E minor (i)
• C Major (VI)
• G Major (III)
• D Major with F# in the bass (VII/VI)
This progression repeats with no borrowed chords or modulation.

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“The borrowed chord in this progression: ‘None’”
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Similar Chord Progressions

1. ‘Let It Be’ by The Beatles: [C, G, Am, F]
‘C Major (I)’, ‘G Major (V)’, ‘A minor (vi)’, ‘F Major (IV)’
2. ‘Someone Like You’ by Adele: [A, E, F#m, D]
‘A Major (I)’, ‘E Major (V)’, ‘F# minor (vi)’, ‘D Major (IV)’

Though not identical to The Cranberries’ ‘Zombie’, these songs share a similar cyclical structure that moves through a sequence of chords, creating a musical tension that’s resolved when the progression repeats. They also similarly use major and minor chords to evoke a range of emotions.

Musical Analysis

The composition as a whole reflects 90’s alternative rock style, with its lethargic, repetitive melody line, distorted guitars, and a simple, effective rhythm section. It uses the commonly used i – VI – III – VII sequence, which is prevalent in many pop/rock songs stylized for a somber mood. Emphasizing the minor tonality with the use of minor chord (i), then moving to the relative major chords, VI and III. The D/F# adds an interesting twist, it is a major chord with major third in the bass, thus making it a more powerful resolution to the Em.

Overall Analysis

The song ‘Zombie’ by The Cranberries is in the key of E minor. Its defining characteristics include plaintive repeated melodies, an intense grunge-inspired arrangement, and Dolores O’Riordan’s iconic vocal embellishments. The song employs a common rock/pop chord progression with added tension by using the D/F# chord.

Style Analysis

“Zombie” is a protest song thematically. Its grunge-influenced sound with the tension and release between the minor verses and the more major chorus reflect the song’s emotional outrage and amplifies the heartbreaking lyrical content. Dolores uses her voice as an instrument, her vocal acrobatics and yodel style became the band’s signature sound, marking it distinctly within the rock genre.

Chords in the Chorus 2 section of Zombie by The Cranberries are:

[‘Em’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G’, ‘D/F#’]