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Related Music Theory Alchemy

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“Zombie” by The Cranberries features a relatively commonly used chord progression in pop/rock music, often referred to as a ‘vi-IV-I-V’ progression. This chord progression, in this particular case, is in the key of G Major and is made up of four chords: Em, C, G, and D/F#.

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The song ‘Zombie’ by The Cranberries is in the key of E minor. Its defining characteristics include plaintive repeated melodies, an intense grunge-inspired arrangement, and Dolores O’Riordan’s iconic vocal embellishments. The song employs a common rock/pop chord progression with added tension by using the D/F# chord.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

The Cranberries – Zombie – Verse 2

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Chord Progression

[‘Em’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G’, ‘D/F#’]

Chord Progression Analysis

Here are the chords sequenced in the way you specified:

– E minor (i)
– C major (VI)
– G major (III)
– D/F# (VII)

Note the VII chord is in first inversion with its third (F#) in the bass, hence D/F#.

The progression is repeated throughout the verse.

Similar Chord Progressions

1. “Let it Be” by The Beatles follows the exact same progression, transposed to the key of C major, giving us: C – G – Am – F (or: I – V – vi – IV)
2. “No Woman No Cry” by Bob Marley, also follows the same progression, transposed to the key of C major: C – G – Am – F.

Musical Analysis

“Zombie” by The Cranberries uses simple, yet effective means in its composition. It repeats a four-chord pattern (Em – C – G – D/F#) throughout the song to maintain a consistent musical theme. What makes it truly stand out is how it utilizes this simplicity to serve the song’s emotional core. The repeated E minor chord offers a haunting sadness that reflects the song’s lyrical themes.

Overall Analysis

“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

Style Analysis

“Zombie” fits in the Alternative Rock style, more specifically in the Post-Grunge movement of the 90’s. Distorted guitars, a heavy rhythm, and clear expressive melodic lines are characteristics of this style. The sequence of chords is conventional in pop music, and they have been used in different styles and periods.

Chords in the Verse 2 section of Zombie by The Cranberries are:

[‘Em’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G’, ‘D/F#’]