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“`plaintext
D Major (I)
E Minor (ii)
G Major (IV)
B Minor (vi)
A Major (V)
G Major (IV)
D Major (I)
E Minor (ii)
G Major (IV)
B Minor (vi)
A Major (V)
G Major (IV)
“`

The key of the song is D major which makes it easier to analyze the chord progression according to the diatonic scale in the key of D Major.

David Bowie’s song, “Space Oddity,” is typically interpreted as being in the key of C Major. It’s an interesting song harmonically, featuring not just Primary Triads and Secondary Dominants but also uses Borrowed Chords, non-functional harmony, and chromatic chord changes. The kind of harmonic movement might be called Bowie’s deviation from the traditional harmonic patterns, which is part of what gives his music its characteristic ‘alien’ vibe. This progression has a more modal feeling due to the use of borrowed chords and the shifted tonal center.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

Goo Goo Dolls – Iris – Verse 1

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Chord Progression

[‘D’, ‘Em’, ‘G’, ‘Bm’, ‘A’, ‘G’, ‘D’, ‘Em’, ‘G’, ‘Bm’, ‘A’, ‘G’]

Chord Progression Analysis

For Verse 1: [‘D’, ‘Em’, ‘G’, ‘Bm’, ‘A’, ‘G’, ‘D’, ‘Em’, ‘G’, ‘Bm’, ‘A’, ‘G’]

Here is the

Similar Chord Progressions

“Iris” is an example of the band’s mixture of intimate, heart-on-the-sleeve lyricism with catchy, anthemic pop/rock. These chords are often used in rock, pop, and folk to create a deep emotional resonance. The repetition of the progression throughout the song could symbolize the ongoing struggle of the song’s protagonist in expressing his or her feelings.

Musical Analysis

“`
D Major (I)
E minor (ii)
G Major (IV)
B minor (vi)
A Major (V)
G Major (IV)
D Major (I)
E minor (ii)
G Major (IV)
B minor (vi)
A Major (V)
G Major (IV)
“`

Overall Analysis

“Iris” by Goo Goo Dolls is a song in the key of D Major, and uses a very common pop/rock chord progression. The sheer repetition of the progression throughout the verse establishes a solid harmonic background upon which the melody can freely roam. Chords include the primary triads (I, IV, V) which are D, G, A, minor variations of the secondary triads (ii, iii, vi), which are Em, F#m, Bm.

Style Analysis

This chord progression firmly establishes the key of D major (I). The progression moves from the tonic D Major to the predominant (the chords that set up/lead to the dominant, V) E minor (ii) and G Major (IV) chords. Right after that, the chord progression jumps to B minor (vi), which is relative to D Major. Then it falls to the dominant A Major (V), and returns to the subdominant G major (IV). This journey from tonic through relative minor and back adds an undertone of complexity to the progression’s otherwise straight-forward major sound.

Chords in the Verse 1 section of Iris by Goo Goo Dolls are:

[‘D’, ‘Em’, ‘G’, ‘Bm’, ‘A’, ‘G’, ‘D’, ‘Em’, ‘G’, ‘Bm’, ‘A’, ‘G’]