Search

Related Music Theory Alchemy

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

The song “Ceilings” by Lizzy McAlpine utilizes fairly simple, yet effective, chord changes that are quite common in popular music. This progression primarily takes place in the key of G major, but borrows chords from the parallel minor scale and adds extensions to the chords to add depth and color.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

Lizzy McAlpine – Ceilings – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘Em’, ‘D’, ‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘Em’, ‘D’, ‘Cadd9’]

Chord Progression Analysis

The exact chord progression of the Verse 1 is:
[Cadd9, Em, Cadd9, G, D, Cadd9, Em, D, Cadd9, Em, Cadd9, G, D, Cadd9, Em, D, Cadd9]

“`
Cadd9 (IV), Em (vi), Cadd9 (IV), G (I), D (V), Cadd9 (IV), Em (vi), D (V),
Cadd9 (IV), Em (vi), Cadd9 (IV), G (I), D (V), Cadd9 (IV), Em (vi), D (V), Cadd9 (IV)
“`

Similar Chord Progressions

Ed Sheeran’s “Photograph” uses a similar chord progression: [E, C#m, A, B]; this transposes to the key of G as [Em, Bm, G, A], which is very similar to McAlpine’s progression.

Coldplay’s “The Scientist” bears a resemblance in its chord progression as well: [Dm, Bb, F, Fsus2]; this transposes to the key of G as [Em, C, G, Gadd9], which again is quite similar to the progression in question.

Please note that these aren’t identical, but they bear similarities in their movement and tonalities.

Note that “E” in Ed Sheeran’s “Photograph” represents Em if it is transposed to G key. Similarly, “Dm” in Coldplay’s “The Scientist” represents Em if it is transposed to G key.

Musical Analysis

This progression, while not entirely standard, borrows largely from popular progressions in contemporary and older pop music, creating a sense of familiarity with a touch of uniqueness.

It starts with Cadd9 and immediately moves to a relative minor chord, Em, before returning to the Cadd9 again. The progression then moves to a V-I perfect cadence, moving from D major to G major, creating a sense of resolution. This pattern (I-IV-V or its variations) is fairly common in many songs.

The Cadd9-Em-D progression is used repeatedly as a motif before the progression closes with the Cadd9. The partial use of the vi-IV-V progression, another very common progression in pop music, results in a compelling journey, as it always feels like it’s in constant motion, and never fully resolved until the end.

Overall Analysis

“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

Style Analysis

This pattern of chord progression is typical of a pop ballad style song. The added ninth notes add a sense of dreaminess and musical complexity to the piece, as they introduce a level of tension and release within the chords, adding to the ebb and flow of the emotional content in the lyrics and melody.

Chords in the Verse 1 section of Ceilings by Lizzy McAlpine are:

[‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘Em’, ‘D’, ‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘Em’, ‘D’, ‘Cadd9’]