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Related Music Theory Alchemy

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

This pre-chorus from Weezer’s “Buddy Holly” features an eight-chord progression in the key of A major. It includes a borrowed chord (Dm) from the parallel minor key (A minor). The harmonic movement consists of alternating D major and C# minor chords, followed by F# minor chords, before returning to the D major root and finally resolving with the borrowed Dm chord. This progression contributes to the energetic, catchy, and upbeat style of the song.

“Tiny Dancer” is an iconic song by Elton John from his 1971 album Madman Across the Water. Written in the key of C Major, it genre-wise fits the mold of pop music from the early 1970s. Structurally, the song displays unique nuances, especially in its pre-chorus, which shifts the tonal center and incorporates some borrowed chords from parallel minor scales.

The song “Closer” by Nine Inch Nails is in the key of B major. The primary chords used throughout the song are: B major (I), C# major (II), G major (bVI), E major (IV), F# major (V), and C (bII). The chords progression is unconventional when compared to traditional music theory. This unconventional use of chords and progressions creates a unique and distinct sound that characterizes the song.

Chord Analysis (Pre-Chorus):

The chord progression in the pre-chorus, which is also found in the verse, would be:
B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II)

Borrowed Chord:

G major (bVI) is a borrowed chord from B minor, the parallel minor of B major in this song.

Vance Joy – Riptide – Pre-chorus

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]

Chord Progression Analysis

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‘Am’ – A minor (‘vi’)

‘G’ – G major (‘V’)

‘C’ – C major (‘I’)

Each chord transition presents a unique implication within the melodic landscape. For instance, the move from the ‘A minor’ to ‘G major’ paints a plaintive, melancholy picture, while the shift to ‘C major’ offers a resolve that completes the musical phrase in a satisfying manner.

Note: There appears to be no borrowed chords in this progression.

“`[‘Am’ – A minor (‘vi’), ‘G’ – G major (‘V’), ‘C’ – C major (‘I’)]“`

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Similar Chord Progressions

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David Guetta – “Titanium”

The chord progression in David Guetta’s “Titanium” closely mirrors that of Vance Joy’s “Riptide.”

‘Dm’ – D minor (‘vi’)

‘Am’ – A minor (‘iv’)

‘F’ – F Major (‘I’)

“`[‘Dm’ – D minor (‘vi’), ‘Am’ – A minor (‘iv’), ‘F’ – F Major (‘I’)]“`

Walk the Moon – “Shut Up and Dance”

Walk the Moon’s “Shut Up and Dance” shares a similar progression, albeit in a different key:

‘D’ – D major (‘I’)

‘Bm’ – B minor (‘vi’)

‘G’ – G major (‘IV’)

“`[‘D’ – D major (‘I’), ‘Bm’ – B minor (‘vi’), ‘G’ – G major (‘IV’)]“`

These songs all share the notable feature of transitioning from a minor chord to a major chord, effectively creating a satisfying tension and resolve that conveys the emotion and message in the song.

Musical Analysis

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This progression employs a standard minor-to-major chord transition (A minor to C major) which adds tension and release within the melody. The pre-chorus specifically dances between ‘A minor’ to ‘G major’ to ‘C major’. The movement from ‘A minor’ to ‘G major’ brings intrigue and tension, while the shift to ‘C major’ brings satisfaction by returning to the tonic.

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Overall Analysis

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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Style Analysis

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Vance Joy employs a folk-pop style that’s deceptively simple yet intensely engaging. His work in “Riptide,” especially in the pre-chorus, is emblematic of this style. The chord progression, despite being fairly straightforward, grants a sense of charismatic musical storytelling. Furthermore, it mirrors Vance Joy’s lyrical storytelling, framing his vocals sympathetically while also allowing them to shine in their own light. The chords are strummed in an easy-going, rhythmic pattern that’s characteristic of the folk-pop genre.

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Chords in the Pre-chorus section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]