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“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

“Brown Sugar” by The Rolling Stones is a rock and roll song prominently featuring electric guitar and piano, characterized by its driving groove and catchy chorus. The base key for the song is C Major. The harmonic progression is fairly simple and stays mainly within the diatonic chords, with some occasional borrowing from other modes.

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The Rolling Stones – Beast Of Burden – Verse 3

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Chord Progression

[‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’]

Chord Progression Analysis

“`
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)
“`
In terms of functional harmony, this sequence forms a very common progression pattern:
I (tonic) – V (dominant) – vi (submediant) – IV (subdominant)

Similar Chord Progressions

Many songs use the I-V-vi-IV progression, as it’s one of the most common in popular music. Some examples include:

– “Let It Be” by The Beatles
– “No Woman, No Cry” by Bob Marley
– “Umbrella” by Rihanna
– “When I Come Around” by Green Day

“Let It Be” by The Beatles in C major:

“`
C Major (I)
G Major (V)
Am minor (vi)
F Major (IV)
“`

“No Woman, No Cry” by Bob Marley in C major:

“`
C Major (I)
G Major (V)
Am minor (vi)
F Major (IV)
“`

“Umbrella” by Rihanna in B major:

“`
B Major (I)
F# Major (V)
G#m minor (vi)
E Major (IV)
“`

“When I Come Around” by Green Day in F major:

“`
F Major (I)
C Major (V)
Dm minor (vi)
Bb Major (IV)
“`
Each of these examples use the same pattern but in different keys.

Musical Analysis

This is a classic rock progression in modern music, and it has a strong resolution that leads back to the I chord. The dominant (V) to tonic (I) movement is a strong resolution in Western music, creating a sense of return and completion. The vi chord adds a layer of melancholy into the mix but doesn’t stray far from the major key tonality. The IV chord provides a strong pull towards the I chord.

Overall Analysis

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

Style Analysis

This progression is very typical of the Rolling Stone’s style and of other rock/pop music from the 1960s and 70s. It is catchy, repetitive, and easy to follow. As the chords are derived from the E major scale, the overall mood is bright and upbeat, yet the inclusion of the vi chord brings a touch of melancholy – often referred to as ‘bittersweet’ in terms of musical emotion.

Chords in the Verse 3 section of Beast Of Burden by The Rolling Stones are:

[‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’]