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Related Music Theory Alchemy

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

The Rolling Stones – Heartbreaker – Verse

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Chord Progression

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]

Chord Progression Analysis

“`
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’).
“`
Borrowed Chords:
“`
G (‘bIII’), C (‘bVI’)
“`

Similar Chord Progressions

The Em- Am progression of the verse is common in many rock and pop songs. However, the chorus borrowing chords from the parallel major key is a technique known as modal interchange and has been used in various songs and genres. Some examples:

“Creep” by Radiohead
“`
Em (‘i’) – Cmaj (‘VIMaj’) – G (‘III’)- G (‘III’)
“`

“Hallelujah” by Leonard Cohen:
“`
Em (‘i’), G (‘III’), Em (‘i’), Em (‘i’)
“`

Both songs use a similar transition from the minor i to the major III, providing an unexpected lift to the music.

Musical Analysis

The verse of the song begins with an Em7 chord, which is the tonic or home chord in the key of E minor. This is followed by an Am7, which is the subdominant chord. The cycle of tonic-subdominant creates a sense of musical tension and resolution.

The introduction of the major E chord in the chorus is a surprising yet effective transition, providing a bright and uplifting contrast to the dark, moody verses. The G and C chords, which are borrowed from the parallel major key, serve to extend this uplifting feel.

The consistent use of seventh chords throughout the track also adds depth to the song and reinforces its bluesy, rock vibe.

Overall Analysis

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

Style Analysis

The Rolling Stones frequently infused their rock sound with elements of the blues, and “Heartbreaker” is no exception. The blues influence is apparent in their use of seventh chords and the bIII and bVI borrowed chords which are common in blues music.

The call-and-response style between the lead guitar and vocals, as well as the use of a rhythmic, driving bassline, are also quintessential features of The Rolling Stones’ style.

Chords in the Verse section of Heartbreaker by The Rolling Stones are:

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]