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Related Music Theory Alchemy

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

The Rolling Stones – Heartbreaker – Verse

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Chord Progression

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]

Chord Progression Analysis

“`
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’).
“`
Borrowed Chords:
“`
G (‘bIII’), C (‘bVI’)
“`

Similar Chord Progressions

The Em- Am progression of the verse is common in many rock and pop songs. However, the chorus borrowing chords from the parallel major key is a technique known as modal interchange and has been used in various songs and genres. Some examples:

“Creep” by Radiohead
“`
Em (‘i’) – Cmaj (‘VIMaj’) – G (‘III’)- G (‘III’)
“`

“Hallelujah” by Leonard Cohen:
“`
Em (‘i’), G (‘III’), Em (‘i’), Em (‘i’)
“`

Both songs use a similar transition from the minor i to the major III, providing an unexpected lift to the music.

Musical Analysis

The verse of the song begins with an Em7 chord, which is the tonic or home chord in the key of E minor. This is followed by an Am7, which is the subdominant chord. The cycle of tonic-subdominant creates a sense of musical tension and resolution.

The introduction of the major E chord in the chorus is a surprising yet effective transition, providing a bright and uplifting contrast to the dark, moody verses. The G and C chords, which are borrowed from the parallel major key, serve to extend this uplifting feel.

The consistent use of seventh chords throughout the track also adds depth to the song and reinforces its bluesy, rock vibe.

Overall Analysis

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

Style Analysis

The Rolling Stones frequently infused their rock sound with elements of the blues, and “Heartbreaker” is no exception. The blues influence is apparent in their use of seventh chords and the bIII and bVI borrowed chords which are common in blues music.

The call-and-response style between the lead guitar and vocals, as well as the use of a rhythmic, driving bassline, are also quintessential features of The Rolling Stones’ style.

Chords in the Verse section of Heartbreaker by The Rolling Stones are:

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]