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Related Music Theory Alchemy

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

The Rolling Stones – Dead Flowers – Verse 1

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Chord Progression

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]

Chord Progression Analysis

Here is the breakdown of the chord progression in verse 1:

D Major (I)
A Major (V)
G Major (IV)
D Major (I)

The progression repeats this four-chord phrase four times within the verse. This is a pretty standard progression in many popular music genres.

Here is the borrowed chord listing in a coded block for this part of the song:
“`
No borrowed chords in this section.
“`

Similar Chord Progressions

Similar three-chord progressions (I, V, IV) can be found in countless songs. Notably:

– “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I), C Major (bVII), G Major (IV).
– “Louie Louie” by The Kingsmen: A Major (I), D Major (IV), E Major (V).

Instead of fully resolving back to the I after the IV, Lynyrd Skynyrd’s “Sweet Home Alabama” begins its progression again at the I, like “Dead Flowers.” “Louie Louie,” meanwhile, resolves to the V, which prolongs the sense of musical tension.

It’s worth noting that while these progressions are similar in chord formula, they each have distinct feels due largely to rhythm, melody, production, lyrics, and other musical elements. These songs sound distinct despite their harmonic similarities. This is a testament to the variety and depth that can be achieved with simple harmonic structures in music.

Musical Analysis

The chord progression within this song is not just standard, but rather archetypical. The D Major (I) to A Major (V) represents a perfect cadence, offering a sense of finality and resolution. The move from A Major (V) to G Major (IV) is a progression from dominant to subdominant, suggesting a continuation. The return to D Major (I) completes the progression and resets for the following phrase, making these four measures a complete musical thought.

Overall Analysis

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

Style Analysis

The Rolling Stones are known for their blues-inspired rock, and that certainly shines through in this chord progression. Many blues progressions commonly cycle through the I, IV, and V chords, in similar patterns, though often with the addition of seventh chords. As for “Dead Flowers,” despite its simplicity, the progression has a very distinct sense of direction and resolution, adding to its catchy nature.

Chords in the Verse 1 section of Dead Flowers by The Rolling Stones are:

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]