Search

Related Music Theory Alchemy

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

The Rolling Stones – Dead Flowers – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]

Chord Progression Analysis

Here is the breakdown of the chord progression in verse 1:

D Major (I)
A Major (V)
G Major (IV)
D Major (I)

The progression repeats this four-chord phrase four times within the verse. This is a pretty standard progression in many popular music genres.

Here is the borrowed chord listing in a coded block for this part of the song:
“`
No borrowed chords in this section.
“`

Similar Chord Progressions

Similar three-chord progressions (I, V, IV) can be found in countless songs. Notably:

– “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I), C Major (bVII), G Major (IV).
– “Louie Louie” by The Kingsmen: A Major (I), D Major (IV), E Major (V).

Instead of fully resolving back to the I after the IV, Lynyrd Skynyrd’s “Sweet Home Alabama” begins its progression again at the I, like “Dead Flowers.” “Louie Louie,” meanwhile, resolves to the V, which prolongs the sense of musical tension.

It’s worth noting that while these progressions are similar in chord formula, they each have distinct feels due largely to rhythm, melody, production, lyrics, and other musical elements. These songs sound distinct despite their harmonic similarities. This is a testament to the variety and depth that can be achieved with simple harmonic structures in music.

Musical Analysis

The chord progression within this song is not just standard, but rather archetypical. The D Major (I) to A Major (V) represents a perfect cadence, offering a sense of finality and resolution. The move from A Major (V) to G Major (IV) is a progression from dominant to subdominant, suggesting a continuation. The return to D Major (I) completes the progression and resets for the following phrase, making these four measures a complete musical thought.

Overall Analysis

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

Style Analysis

The Rolling Stones are known for their blues-inspired rock, and that certainly shines through in this chord progression. Many blues progressions commonly cycle through the I, IV, and V chords, in similar patterns, though often with the addition of seventh chords. As for “Dead Flowers,” despite its simplicity, the progression has a very distinct sense of direction and resolution, adding to its catchy nature.

Chords in the Verse 1 section of Dead Flowers by The Rolling Stones are:

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]