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The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

The Rolling Stones – Brown Sugar – Verse 2

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Chord Progression

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C

Chord Progression Analysis

C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – Bb Major (bVII) – C Major (I) – Bb Major (bVII) – G Major (V) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I)

Borrowed Chord:
– Bb Major (bVII) is a borrowed chord from the parallel minor key of C minor.

Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I) – C Major (bVII) – G Major (IV) – D Major (I) – C Major (bVII) – G Major (IV)
2. “Born on the Bayou” by Creedence Clearwater Revival: E Major (I) – E Major (I) – E Major (I) – E Major (I) – D Major (bVII) – A Major (IV)
3. “Hey Joe” by Jimi Hendrix: C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III) – C Major (I)

These songs share similarities with “Brown Sugar” in terms of their rock and blues influences, and they also feature the use of the I, IV, and V chords, as well as borrowed chords from parallel minor keys (such as the bVII).

Musical Analysis

The chord progression in the verse primarily features the I (C Major) and IV (F Major) chords. The constant use of the I chord creates a sense of stability, and the progression to the IV chord produces a classic “rock” sound. The bVII (Bb Major) chord adds interest and serves as a surprise element, providing contrast in the progression. It effectively creates tension, which is then resolved by the V chord (G Major), leading the progression back to the I chord.

Overall Analysis

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

Style Analysis

“Brown Sugar” is a rock song with strong blues and rock ‘n’ roll influences. The heavy use of the I, IV, and V chords is a common feature in these genres. The straightforward, repetitive chord progression gives the song its driving, energetic feel, which is further enhanced by the band’s dynamic rhythm playing and the vocal melodies. The use of the borrowed chord (bVII) adds an unexpected twist, which is not uncommon in rock music of the late 1960s and 1970s.

Chords in the Verse 2 section of Brown Sugar by The Rolling Stones are:

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C