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Related Music Theory Alchemy

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“Paint It Black” by The Rolling Stones is a masterful example of the band’s ability to incorporate a variety of musical elements into a rock setting. This song, in particular, unites a classic rock ‘n roll backbone with an exotic influence, likely derived from Eastern music, especially with the use of the sitar.

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

The Rolling Stones – Brown Sugar – Verse 2

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Chord Progression

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C

Chord Progression Analysis

C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – Bb Major (bVII) – C Major (I) – Bb Major (bVII) – G Major (V) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I)

Borrowed Chord:
– Bb Major (bVII) is a borrowed chord from the parallel minor key of C minor.

Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I) – C Major (bVII) – G Major (IV) – D Major (I) – C Major (bVII) – G Major (IV)
2. “Born on the Bayou” by Creedence Clearwater Revival: E Major (I) – E Major (I) – E Major (I) – E Major (I) – D Major (bVII) – A Major (IV)
3. “Hey Joe” by Jimi Hendrix: C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III) – C Major (I)

These songs share similarities with “Brown Sugar” in terms of their rock and blues influences, and they also feature the use of the I, IV, and V chords, as well as borrowed chords from parallel minor keys (such as the bVII).

Musical Analysis

The chord progression in the verse primarily features the I (C Major) and IV (F Major) chords. The constant use of the I chord creates a sense of stability, and the progression to the IV chord produces a classic “rock” sound. The bVII (Bb Major) chord adds interest and serves as a surprise element, providing contrast in the progression. It effectively creates tension, which is then resolved by the V chord (G Major), leading the progression back to the I chord.

Overall Analysis

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

Style Analysis

“Brown Sugar” is a rock song with strong blues and rock ‘n’ roll influences. The heavy use of the I, IV, and V chords is a common feature in these genres. The straightforward, repetitive chord progression gives the song its driving, energetic feel, which is further enhanced by the band’s dynamic rhythm playing and the vocal melodies. The use of the borrowed chord (bVII) adds an unexpected twist, which is not uncommon in rock music of the late 1960s and 1970s.

Chords in the Verse 2 section of Brown Sugar by The Rolling Stones are:

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C