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Related Music Theory Alchemy

The song “Closer” by Nine Inch Nails is in the key of B major, evident from the chords in the verse, pre-chorus, and bridge sections. The chord progression in the chorus introduces a borrowed chord from parallel minor, displaying elements of modal mixture. The style of the song features heavy electronic elements, industrial rock aesthetic, and a dark and seductive atmosphere.

“Closer” by Nine Inch Nails works within a minimalist musical framework, where a few shiftless chords and tension-filled pentatonic melodies define the song. It inculcates a dark atmospheric mood through its instrumentation and harmony. The repetitive and consistent use of the Cm7 chord creates a haunting, pulsating groove that add to the atmospheric layer of the song.

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

This pre-chorus from Weezer’s “Buddy Holly” features an eight-chord progression in the key of A major. It includes a borrowed chord (Dm) from the parallel minor key (A minor). The harmonic movement consists of alternating D major and C# minor chords, followed by F# minor chords, before returning to the D major root and finally resolving with the borrowed Dm chord. This progression contributes to the energetic, catchy, and upbeat style of the song.

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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Nine Inch Nails – Closer – Pre-Chorus

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Chord Progression

B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#

Chord Progression Analysis

The pre-chorus features a repeating back and forth between the I (B major) and II (C# major) chords, which are not typical chords used consecutively in a diatonic chord progression. This toggling between I and II chords creates a driving, unresolved tension in the music. The introduction of the borrowed G major (bVI) chord briefly breaks this tension and adds another layer of color to the chord progression. This progression is unconventional and helps create a distinct sound for the song.

Similar Chord Progressions

Musical Analysis

The piece is characterized by its industrial rock style, with heavy use of electronic sounds, percussion, and aggressive guitar work. The use of unconventional chord progressions contributes to this industrial sound, creating a darker and more ambiguous tonality.

Overall Analysis

The song “Closer” by Nine Inch Nails is in the key of B major. The primary chords used throughout the song are: B major (I), C# major (II), G major (bVI), E major (IV), F# major (V), and C (bII). The chords progression is unconventional when compared to traditional music theory. This unconventional use of chords and progressions creates a unique and distinct sound that characterizes the song.

Chord Analysis (Pre-Chorus):

The chord progression in the pre-chorus, which is also found in the verse, would be:
B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II)

Borrowed Chord:

G major (bVI) is a borrowed chord from B minor, the parallel minor of B major in this song.

Style Analysis

1. Depeche Mode – “Personal Jesus”
Chord Progression: E major (I) – G major (bIII) – A major (IV) – B major (V)

2. Radiohead – “Paranoid Android”
Chord Progression: G# minor (i) – B major (III) – A major (bIII) – C# minor (v)

These two examples also utilize unconventional chord progressions, with borrowed chords from parallel minor or major keys, as well as the mixing of both conventional diatonic chords and non-diatonic chords in their progressions.

Chords in the Pre-chorus section of Closer by Nine Inch Nails are:

B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#