The song “Dead Flowers” by The Rolling Stones is a classic rock tune that is characterized by its simple yet effective chord progressions. The key of this song is D Major. This song utilizes mostly major chords (D, A, and G), and it has a strong emphasis on the I-IV-V chord progression, a staple in many rock, blues, and pop music.
The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.
“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.
The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.
“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.
The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.
The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.
“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.
“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.
The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.
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Acoustic Outro Break Bridge Bridge 1 Bridge 2 Chords Chorus Chorus/Outro Chorus 1 Chorus 2 Chorus 3 Chorus 4 Coda Ending Guitar Solo 2 Hook HOOK 1 Hook 2 Hook 3 Instrumental Interlude Intro Main Riff Mid-section Middle 8 Outro Outro with fade out Post-Chorus Pre-chorus Pre-Chorus 1 Pre-Chorus 2 Pre-Chorus 4 Pre-Chorus 5 Pre-Solo Refrain Riff Sax Solo Solo Verse Verse 1 Verse 2 Verse 3 Verse 4 Verse 5 Сhorus
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